For her third solo exhibition with the gallery, Victor installs new sculptures, made from a range of materials including textiles, plaster and metal, that respond to the conditions of their making, the work and rhythms of the studio, and the friction between what is familiar and what is uncanny. Responding to the geometry of the room, her expansive sculptures function like spatial interventions and gesture toward movement in space and time.

Marina Grize’s richly colored, atmospheric photographs—dye diffusion transfer prints made with expired film and displayed in delicate artist frames—feature images of women in and around water. This collection of images, captured from various stills from lesbian cinema, form a meticulous photographic collection springing from the artist's archivist impulse. From a database of hundreds of films, Grize focuses on reframing the female subject and moments of coded language and symbolic images. Women and water have been linked through associations to life and birth, liberation and oblivion.  In this series of work where the screen becomes a lens and a mirror, a point of connection and a reminder of distance, Grize reclaims these otherworldly moments, offering a complexity and presence to representations of queerness often lacking in our culture.